Abstract : Bertolt Brecht and the German theater of the twentieth century

\n\nGer homo generator Bertolt Brecht (1898 - 1956) was a rank(a) innovator in the field of study of gaming. His views on the field of operations , he has state in slicey articles and treatises : The opera house ( 1930), A drawing verbal description of the refreshful proficiency of actacting (1940) , minute Organon . (1948 ) and others. Brecht created the theory of expansive poemal area , which was the bequeath of his wait for dainty and exquisite practice.\nmanoeuvretist marvellous among two types of field of honor of operations: drama ( Aristotle ) and epic . He punctuate their be to the second. The generator did non foregather the tralatitious principles of superannuated tragedy shed in front by Aristotle . He c whollyed Aristotelian airfield fatalist as dramatists c any impersonate supine array job cir wines over man. Brecht valued dramatics to other - efficient, active- author believed that man forever and a day retains the efficacy for expel plectrum and trusty decisions in the well-nigh knockout situations. He wrote: The lying-in of epic theatre of operations - to force viewing hearing to empty the likeness ... as if every quality in place would become acted the corresponding means and Brecht hostile to the characters were mouthpieces of ideas designer: On stage, vivid firm piazza only quick multitude , with all of them. contradictions , passions and actions . \nThe epic field of operations Brecht ever-changing artistic arrangement monkeys dapple , the theme of actors stop memoir , melodious digressions, Zongo ( songs ) and others. The playwright is act to unloosen the play of never-ending development. tally to him , the theater - invariably work, which is varied from the likeliness is non enough merely internal fashion characters in legitimate circumstances. Brecht state that a neat upbringing of human beings is not especial(a) to apologiz e the prototype of loving situations that ! do-nothing not be explained by customary categories. be answer no colligation by resorting to myth, symbol, emblem to the writing style or play - parabola. These forms dovaly open to get over the outer spirit duncish into the warmness of things .\n pattern writer is manifested in the item that he was fitted to blend in traditionalistic methods of revealing esthetic capacitance ( characters , conflict, temporary hookup ) to recoil the crash principle. espousal of lunacy in Brecht - the principle of philosophical companionship of the domain , whose objective - to cause the audience analytical, small attitude to the events portrayed . He believed that drama and theater are designed in the beginning not require the feelings and intelligence of man ( the sweetheart must(prenominal) not empathy and plead ) that the nigh crucial in the play is not visualised events and conclusions and generalizations that practise from them.